Honestly, any DSLR or mirrorless camera made inside the closing 12 years is more than ok for product photography. The digicam is literally the least essential a part of the equation.
The extra crucial elements to product pictures are going to be lighting fixtures and coloration control. A proper lens that controls chromatic aberration properly is going to also be very vital.
Getting accurate colorings is in reality critical for print catalog work. It’s much less vital for online paintings because most of the people don’t have colour calibrated presentations, but it’s nonetheless extremely vital.
If you’re on a budget, a used 5D mark II and an EF 100 f/2.8L IS USM macro would be an exceptional choice for product work. A 7D or 7D mark II could additionally be true choices. You may want to buy an EOS R, but without a doubt that’s overkill to your needs. Save your money and invest in lighting fixtures, modifiers, and reference books & training rather.
Besides a camera and a lens, you’re going to need:
A good tripod
A remote release (cabled or wireless). Shooting tethered is another good option
At least 2 color controlled lights. LED continuous lighting is a good choice for product work because it’s “what you see is what you get”. You can do long exposures because you’re shooting inanimate objects and don’t have to worry about stopping motion. Strobes / speedlights have a steeper learning curve but are more versatile and more powerful. That’s going to be important if you’re planning on shooting clothing on models. Setting a custom white balance is going to be important.
a light tent
A good IPS monitor and a color calibration tool (I use a Spyder 5). You need an good, accurate, calibrated monitor to do accurate color correction.
Blackout curtains for the room you’re working in, especially if you are using continuous lights. You can overpower ambient light if you’re working with strobes. Mixed color temperatures are very undesirable for getting accurate color rendition so you need to be able to have complete control over how your studio is lit.
The Complete Guide to Light & Lighting in Digital Photography by Michael Freeman is a great introductory reference for learning to to studio lighting.
I also recommend getting Creative Lighting Techniques for Studio Photography by Dave Montizambert, which focuses heavily on product photography.
Scott Kelby has a lot of good books on Photoshop which can teach you how to do color correction.
The extra crucial elements to product pictures are going to be lighting fixtures and coloration control. A proper lens that controls chromatic aberration properly is going to also be very vital.
Getting accurate colorings is in reality critical for print catalog work. It’s much less vital for online paintings because most of the people don’t have colour calibrated presentations, but it’s nonetheless extremely vital.
If you’re on a budget, a used 5D mark II and an EF 100 f/2.8L IS USM macro would be an exceptional choice for product work. A 7D or 7D mark II could additionally be true choices. You may want to buy an EOS R, but without a doubt that’s overkill to your needs. Save your money and invest in lighting fixtures, modifiers, and reference books & training rather.
Besides a camera and a lens, you’re going to need:
A good tripod
A remote release (cabled or wireless). Shooting tethered is another good option
At least 2 color controlled lights. LED continuous lighting is a good choice for product work because it’s “what you see is what you get”. You can do long exposures because you’re shooting inanimate objects and don’t have to worry about stopping motion. Strobes / speedlights have a steeper learning curve but are more versatile and more powerful. That’s going to be important if you’re planning on shooting clothing on models. Setting a custom white balance is going to be important.
a light tent
A good IPS monitor and a color calibration tool (I use a Spyder 5). You need an good, accurate, calibrated monitor to do accurate color correction.
Blackout curtains for the room you’re working in, especially if you are using continuous lights. You can overpower ambient light if you’re working with strobes. Mixed color temperatures are very undesirable for getting accurate color rendition so you need to be able to have complete control over how your studio is lit.
The Complete Guide to Light & Lighting in Digital Photography by Michael Freeman is a great introductory reference for learning to to studio lighting.
I also recommend getting Creative Lighting Techniques for Studio Photography by Dave Montizambert, which focuses heavily on product photography.
Scott Kelby has a lot of good books on Photoshop which can teach you how to do color correction.
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